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de Jode (according to the usual liberty of these Engravers after Rubens and Vandyck) it makes the prin- cipal light y and a light is thrown on the other figures in the print, which are quite dark in the picture. of the inferior painters of the Flemish school; the best are, two of J. are some excellent heads in the manner of Rubens, and Christ praying in the garden ; but the Angels here are truly Flemish.

This picture has no effect, from the want of a large mass of light: the two angels make two small masses of equal magnitude. Augustin is drest in black, though in the print of P. Jordaens* horses are little inferior to those of Rubens. 49 On the sides of the church are hung many pictures antweh.

It appears that Rubens made some changes in this picture after Bolswert had engraved his print from it. Judas betraying Christ, by Vandyck: it is in his first Vandycx, manner, but not equal to others which I have seen of that age; the colouring is disagreeable from being too red. A market-woman with a hare in her hand, a man blowing a trumpet, or a boy blowing bubbles, a view of the inside or outside of a church, are the subjects of some of their most valuable pictures ; but there is still entertain- ment, even in such pictures : however uninteresting their subjects, there is some pleasure in the contemplation of the truth of the imitation.

The second light is the Virgin, and Christ, and the heads of the figures. 47 The principal light in the lower part of Rubens's antw ERP . Sebastian ; that of the upper part is the light in the sky ; in this point there is no ap- parent superiority on either side. One is so much used to anachronisms in church- pictures, that it ceases to be an object of criticism.

In this space is the white linen that covers the altar ; and it is for the sake of this white linen, I apprehend, that he has made an altar instead of a pedestal, in order to make the linen the principal light, which is about the middle of the picture.

John the Baptist, as an elderly man, in the same picture where Christ is still an infant* though it may be said to be a crime of less magnitude, not being so violent a breach of chronology, yet appears to the spectator even more unpardonable, per- haps from his being so often used to see them represented together as children. The colouring is of a reddish kind, especially in the shadows, without transparency.

Of both these pictures there are prints ; of Titian's picture the print is by Lefebre, and the Rubens is en- graved by Snyers, and by Remoldus Eynhovedts : in the first impression of that of Snyers, there are parts of the Virgin, and St. From the frequency of seeing pictures peopled with men who lived in different ages, this impropriety may habitually become less offensive : introducing, however, St. This picture is of great fame, but in some vandyck measure disappointed my expectations; at least, on just parting from A JOURNEY TO from the Rubens, the manner appeared hard and dry.

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